Land’s End Music between France and Britain

Land’s End marks the westernmost point of Great Britain. Here begins the English Channel—the turbulent strait between England and France. This narrow stretch of sea symbolizes the ambivalent relationship between the two great powers. Political conflicts created a field of tension that extended into the musical realm, sparking an intense artistic exchange. Music was copied, idealized, admired, criticized, celebrated, and fiercely debated. With Land’s End, Ensemble Astrum captures this musical atmosphere and journeys through 400 years of Franco-British music history.

 

Jean-Baptiste Lully (1632-1687)

Overture

Aus: Acis et Galatée

Guillaume de Machaut (~1300-1377) Loyauté que point ne delay
John Dunstable (1390-1453), Anonym (15.Jhdt.)

O Rosa Bella

Aus: Buxheimer Orgelbuch (15.Jhdt.)

Guillaume de Machaut (~1300-1377), Anonym

Hont Paur

Aus: Codex Faenza (15.Jhdt.)

Guillaume du Fay (†1474)Bon jour, bon mois
Anonym, John Playford (1623-1686)The Beggar Boy
Bid me to life 
Bobbing Joe
Aus: The English Dancing Master
Thomas Preston (16.Jhdt.)Uppon la mi re
Anonym (16.Jhdt.)My Lady Careys Dompe
Johannes de Sancto Martino (16.Jhdt.)Bon Temps, Las!
Anonym (16.Jhdt.)Gaillarde Piemontoyse
Jean-Babtiste Senaillé (1687-1730)

Sonata Op.1 Nr. 6 in a-moll

Preludio, Allemande, Adagio, Gavotta