Land’s End Music between France and Britain
Land’s End marks the westernmost point of Great Britain. Here begins the English Channel—the turbulent strait between England and France. This narrow stretch of sea symbolizes the ambivalent relationship between the two great powers. Political conflicts created a field of tension that extended into the musical realm, sparking an intense artistic exchange. Music was copied, idealized, admired, criticized, celebrated, and fiercely debated. With Land’s End, Ensemble Astrum captures this musical atmosphere and journeys through 400 years of Franco-British music history.
| Jean-Baptiste Lully (1632-1687) | Overture Aus: Acis et Galatée |
| Guillaume de Machaut (~1300-1377) | Loyauté que point ne delay |
| John Dunstable (1390-1453), Anonym (15.Jhdt.) | O Rosa Bella Aus: Buxheimer Orgelbuch (15.Jhdt.) |
| Guillaume de Machaut (~1300-1377), Anonym | Hont Paur Aus: Codex Faenza (15.Jhdt.) |
| Guillaume du Fay (†1474) | Bon jour, bon mois |
| Anonym, John Playford (1623-1686) | The Beggar Boy Bid me to life Bobbing Joe Aus: The English Dancing Master |
| Thomas Preston (16.Jhdt.) | Uppon la mi re |
| Anonym (16.Jhdt.) | My Lady Careys Dompe |
| Johannes de Sancto Martino (16.Jhdt.) | Bon Temps, Las! |
| Anonym (16.Jhdt.) | Gaillarde Piemontoyse |
| Jean-Babtiste Senaillé (1687-1730) | Sonata Op.1 Nr. 6 in a-moll Preludio, Allemande, Adagio, Gavotta |

